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Wedding Lengha, Indian Lenghas, Pakistani Lengha, Bridal Lehnga You are at >
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Wedding Lenghas
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Hibiscus Anarita
Top: Dark hibiscus crepe silk blouse having silver cramped embellished on neckline, armhole and hemline. Busk hemline. Small ornaments along with sequins spray all over. Finished with piping edges. Fully lined. Concealed back zip closure
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Nimbus Lehenga
Top: Oyster pure jamawar shirt having heavy embellishments on neckline and hem. With big Mughlai ornaments in the middle of the waist and sides. The hemline is having small ornaments and floral work. Gota piping edges.
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Oyster Flared Lehenga
Oyster white organza and katan silk skirt and blouse with dupatta. Top: Sheer organza heavily embellished top with katan silk under top. Embellishments made on neckline, armholes shirt front and hem with small motifs all
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Oyster Rangee Lehnga
Oyster white double layered lehenga has silver and grey embellishments. Top: Oyster white pure jamawar shirt has front closure along with embellishments on front and back neckline, closure and hemline. Plunging V-neckline. Small
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Red Fresca Lehnga
Top: Red crepe silk heavily shirt has been fully embellished with sequins, beads, swarovski crystals and diamantes work. Up to hip length shirt. Finished with red piping from neckline, sleeves and hem. Fully lined. Concealed back zip closure.
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Golden Rangee
Golden traditional styled heavily lehenga along with veil. Top: Golden pure charmeuse silk shirt has heavy embellishments on neckline sleeves and hemline. Bead work made on front along with sequins spray all over. Scoop neckline.
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Wedding Lehngas
Lengha choli, (Langa or Lehnga) are available for women of all sizes. Lengha Cholis have a beautiful history in India. When the Moguls invaded India in early BC they brought this unique skirt and blouse combination with them. Today's bride is more likely to wear a Lengha Choli to her wedding than a sari due to the heavy weight of bridal saris. Women of all ages also love Lenghas for formal occasions and dress occasions. Women just can not go wrong with a fashion item that has been in fashion for hundred of years.
Extremely beautiful and suitable to all female shapes, Lenghas are often hand decorated in the traditional designs of India such as zardozi embroidery. During the period of Indian royalty, these Lehnga designs became legendary and were made with real gold, silver and precious stones. Just as in ancient times, these Lehnga suits are still hand decorated to keep it as true to tradition as possible.
During initial times, the lehnga was merely a piece of fabric tied around the waist with the ends of the cloth left loose. The fabric was held at the waist with a metal girdle. But soon with the increase in its popularity, the lehnga went through various transitions to suit the convenience of the women. The ends of the waist fabric were stitched. To make it more comfortable, its narrow width was increased by introducing more pleats on the waist, so as to make it easy to walk for the women. The metal girdle was replaced by stitching a peace of cloth to the waist of the lehngas called nepaha and a piece of rope running through is called nara.
The lehnga reached its peak of development under the Mughal kings. It was the best answer the Indian queens could give to the rich Muslim pehsvaz dress of the Mughal royal women. The interaction between the two communities was further increased by the bazars organized by the Mughal kings where both the sellers and the buyers were women. The dupatta (the Hindustani name given to the orhani by the Indian Muslim women) became almost a mark of respect for the women. It was mostly two and a half yards in length and one and a half yards in breadth. It was used as a headdress and also to increase the beauty of the lehnga. Mostly the dupatta was made of a thin material and to give some more weight to the cloth, golden lace or tassels were attached to the ends. The choli was also developed the cover the arms but the length, however, usually remained above the navel, revealing the slim waist of the women. The fabrics used to make the lehnga are in fact the same as those used under the great Mughal King, Akbar; silks and brocades. The dupatta is now made of silk, linen of chiffon which is a new development.
The popularity of lehngas has creased proportionately with the times. In fact, in northern India it has very successfully replaced the traditional sari as a wedding dress. Now Indian brides prefer to wear lehngas which enhance their beauty and charm. The dress is mostly made in red which represents excitement and passion; orange which is a blend of yellow and red; colors so contrary in character– produces mystical effects on the mind; pink possesses all the powers and vividness of red without its frenzied impetuosity and violence. The beauty of this royal dress however lies in the fine embroidery or zari handwork done on it. This zari handwork done on the lehnga is of a very special quality and is done mostly by Muslims staying in the 100 odd villages of Farokabad in Uttar Pradesh and Lucknow.
The lehnga is hence a masterpiece of all these forms of embroideries in various combinations. Hence we can say the lehnga is one part of history which still lives on in India and Pakistan. In Pakistan, it is mainly used as wedding or party wear.
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